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They’ve raised kids, they’re moving on to this next phase and there’s a lot of power that comes with that.” There are lots of women in their 50s like Sophie, she says, “who are taking their life in their own hands. And, despite the film’s many conventions, a middle-aged romcom still feels quite radical. Shields is great as bestselling American author Sophie Brown, who, suffering with writer’s block, escapes to Scotland to trace her roots and ends up acquiring a stately home. The plot of A Castle for Christmas may be as predictable as gift-wrapped socks, but sometimes you just need preposterous cosy escapism. “There’s dogs, castles, knitters, pubs!” she says, laughing. Shields is in a Christmas romcom, for Netflix, which is the gift you didn’t know you wanted. She has, she says with a smile, when I point out how together she seems, “been going to therapy for 35 years”. And here she is, radiant through my laptop screen, in her beautiful New York townhouse kitchen, with a dog at her feet, husband milling about in the background, one teenage daughter upstairs, another successfully packed off to college, and her sense of humour very much intact. She even came through the 90s’ overplucked-eyebrow trend unharmed. Violet would like her husband to come with her, but he lets her go, realizing a more conventional life, and schooling, will benefit her more.H ow, I wonder, is Brooke Shields so sorted? She has survived a childhood with an alcoholic mother, some disturbing early films, a nation’s creepy obsession with her, a divorce and severe postnatal depression. They claim that Violet’s marriage is illegal without their consent and plan to take her back with them. Immediately following the wedding, Hattie and her husband arrive from St. Bellocq arrives to wed Violet, ostensibly to protect her from the larger world. Violet eventually returns to Nell’s after quarreling with Bellocq, but social reform groups are forcing the brothels of Storyville to close. The two become lovers, although Violet still needs a great deal of attention and is frustrated by Bellocq’s devotion to his work, as much as he is frustrated by her lack of "maturity" and constant tantrums For his part, the older man is entranced by Violet’s beauty, youth, and photogenic face. Violet runs away from the brothel in a fit of temper after being punished for some hijinks, showing up on Bellocq’s doorstep. Hattie promises to return for Violet once she’s settled and broken the news to her new spouse.
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Louis without her daughter, whom her husband believes to be her sister. She marries one of her customers and goes to St. Hattie, meanwhile, aspires to escape prostitution. After a bidding war between regulars, Violet is bought by an apparently quiet customer, but this first sexual experience is unpleasant. Nell decides that Violet is old enough for her virginity to be auctioned off. Violet is also a restless child, and frustrated by the long, precise process Bellocq must go through to pose and take his pictures. His activities fascinate Violet, though she believes he is falling in love with her mother, which makes her jealous. Madame Nell only agrees after he offers to pay.īellocq becomes a fixture in the brothel, taking many photographs of the prostitutes, mostly of Hattie. He asks to be allowed to take photographs of the women. Bellocq comes by with his camera, Hattie and Violet are the only ones awake. Hattie has just given birth to a baby boy and has a 12-year-old daughter, Violet, who also lives at the house. In 1917, during the last months of legal prostitution in Storyville, the red-light district of New Orleans, Louisiana, Hattie is a prostitute working at an elegant brothel run by the elderly, cocaine-sniffing Madame Nell. Although the film was mostly praised by critics, it was wildly controversial at the time due to its depiction of child prostitution and the scenes of the nude Brooke Shields, who was 12 years old at the time of filming. The title of the film is inspired by the Tony Jackson song, " Pretty Baby", which is also used in the soundtrack. Its plot focuses on a 12-year-old prostitute in the red light district of New Orleans at the turn of the 20th century. The screenplay for the film was written by Polly Platt. Pretty Baby is a 1978 American historical fiction and drama film directed by Louis Malle, and starring Brooke Shields, Keith Carradine, and Susan Sarandon.